Figurative artists from many traditions have long made quick studies in preparation of their larger work. Stone, wood and bronze sculptors often utilized bozetti made from clay, while larger in situ works in plaster, stucco or fixed earths often were built up from bases of bound straw, jute, wax, wrought steel and other materials. With the industrial revolution came ready access to new materials and fabrication methods such as wire, cements, synthetic glues, fibers, and polymers.
Of these materials, wire is among the most versatile for studying gesture and working out complex multi-figure compositions. In this two day workshop you will learn methods for efficiently studying and rendering the figure in the round and for understanding even the most complex gestures easily and reliably. You will learn the basics of working with armatures, massing up, and explore ways of rendering skin for surface effects. We work from the model to develop quick studies that can stand on their own, or be the foundation for later work in two and three dimensions. Painters and craftspeople will find the gesture studies invaluable for lighting, composition and gesture studies. Though following in the vein of Fast Figures 1, there are no prerequisites. This class is a must for serious students of the figure and a great introduction to figure sculpture for beginners.
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In recognition of the national examination of systemic racism and injustices, Gage Academy of Art is committed to continued analysis and expansion of our own institutional practices.
Land Acknowledgment: Gage Academy of Art would like to acknowledge that we stand on the traditional ancestral lands of the Coast Salish peoples—specifically the Duwamish People, past and present—and honor, with gratitude, the land itself, the Duwamish Tribe, and their ancient heritage. Without them, we would not have access to this gathering, dialogue and learning space. We ask that we take this opportunity to thank the original caretakers of this land, who are still here.
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