Abstract Composition with Watercolor
Linda James
$490
There is no hard and fast formula for creating good abstract composition, but there are guidelines to help develop your critical perception of what works and what doesn’t. In this class, we will explore design principles that can bring a painting to life, using compositional tools that artists have deployed for centuries. Through individual and group critiques, we will explore how these principles can be applied to your own work, giving you the solid foundation you need to continue your own explorations, long after the class is over. All classes are supplemented with slide presentations, demo recordings, handouts, and critiques of work done in and out of class.
Required Supplies
-Tube watercolors, professional grade. Since this is a composition class and not a color class, I am not requiring these colors (with the exception of Lamp Black). However, this list gives you an idea of the range of color to have.
Winsor Lemon, Hansa Yellow Lightor Nickel Azo Yellow
Cadmium Yellow Light or Medium
Quinacridone Gold
Rose Madder Genuine (WN)
Cadmium Red Light or Medium
Permanent Rose (WN)
Permanent Alizarin Crimson
Dioxazine Violet (Winsor Violet)
Cobalt Blue
French Ultramarine Blue
Phthalo (Winsor) Blue - green shade
Cobalt Turquoise Light (WN or Holbein)
Viridian
Hooker’s Green
Sap Green
Phthalo (Winsor) Green - blue shade
Burnt Sienna
Quinacridone Burnt Orange
Lamp Black (required)
-Brushes. I recommend mixed synthetic/natural hair brushes, but there are some good synthetic brushes available and they tend to be more affordable.
A #8 round, a #3 or #4 round, a 3/4” flat and a 1-1/2” wash.
-Painting or drawing board large enough to hold an 11” x 15” sheet of paper
-A roll of 3/4 to 1” artist or painter’s tape (FrogTape, Blick Painters tape, etc.)
-An 18 well (or larger) white plastic palette.
-A small plastic spray bottle
-2-3 water containers and paper towels
-A pencil and eraser
-3-4 sheets of 22” x 30” 140# professional cold press watercolor paper (Arches, Fabriano, Kilimanjaro, Lanaquarelle, Bockingford, etc)
-One 22” x 30” sheet 300# cold press watercolor paper - any professional brand (optional)
-15” to 18” metal ruler and x-acto knife (recommended for cutting 300# paper) – also optional
-A hair dryer
-Scraps of watercolor paper (eg. backs of discarded paintings)
If you have any questions, email me at lindajamesart@gmail.com