Portrait Painting
Sarah Bixler
$408
This intensive workshop focuses on building a portrait through direct color blocking, simplifying the head into emphatic gestural shapes with controlled value and temperature relationships. Structure will be established through masses of color and tone rather than linear drawing. We’ll concentrate on seeing color relationships accurately, efficient color mixing, and creating likeness through shape and color relationships. The goal is to develop a strong, immediate color foundation for the portrait that supports both realism and expressive freedom.
Required Supplies
Paint (Professional or Student Grade Oil)
Split Primaries
- Cadmium Yellow Light (warm yellow)
- Cadmium Yellow Lemon (cool yellow)
- Cadmium Red Light (warm red)
- Alizarin Crimson or Quinacridone Rose (cool red)
- Ultramarine Blue (warm blue)
- Phthalo Blue (Green Shade)
Secondaries
- Viridian
- Cadmium Orange
- Dioxazine Purple
Neutrals / Earths
- Yellow Ochre (warm yellow / earth yellow)
- Burnt Sienna
- Ivory Black
- Titanium White (large tube)
Brushes
- 4–6 bristle or synthetic bristle brushes (filberts or flats), sizes 2–8
- 1–2 small rounds for accents
Surfaces
- 3-4 16x20-18x24 primed surfaces
- recommend a pack of canvas paper such as https://www.dickblick.com/items/strathmore-300-series-canvas-paper-pad-16-x-20-10-sheets
- enough for 1-2 resolved portraits plus 2-4 quick studies
Mediums & Solvents
- Odorless mineral spirits (Gamsol or equivalent) - 16oz
- Linseed oil or a simple painting medium of your choice - 4oz is enough
- Small container with lid for solvent
- Such as https://www.dickblick.com/products/silicoil-brush-cleaning-tank/
- Small squeeze bottle for painting medium
Tools & Miscellaneous
- Palette at least 14x17, palette paper is ok, masonite panel also works, but glass is best
- Palette knife (large to medium-size trowel shaped)
- Rags or paper towels
- Masking tape
- Nitrile gloves