Still-Life Painting in Oils/Acrylics
Nicholas Enevoldsen
$430
Learn to paint realistic still-life paintings using oil or acrylic paints. Students will create an original still life painting composition from observation and discover essential color theory concepts and color mixing strategies, design principles, blending and glazing techniques, and how to capture illusions of light, form, texture, and atmosphere. Lectures, demonstrations, and individual critiques will be provided during weekly lessons.
Required Supplies
Students may choose to work with either oil or acrylic painting media. Below, are supply lists specific to oil-based or acrylic-based painting.
OIL-BASED PAINTING – SUPPLY LIST
OIL COLORS
• Cadmium Red Light
• Alizarin Crimson
• Ultramarine Blue
• Cerulean Blue or Manganese Blue
• Cadmium Yellow Medium or Light
• Yellow Ochre / Yellow Ochre Pale (Winsor Newton)
• Titanium / Flake White (large tube)
• Raw Umber
• Ivory Black
(Optional Oil Colors: Cadmium Orange, Titanium Nickel Yellow, Burnt Sienna, Quinacridone Magenta, Viridian Green, Dioxizine Purple, Old Holland English Red, Pthalo Blue)
SUPPORTS (Painting Surfaces)
• (1) Pre-stretched canvas or gesso-primed wood panel (8x10 – 9 X 12 in.)
• (1) Pre-stretched canvas or gesso-primed wood panel (11x14 – 16 X 20 in.)
MEDIUMS /ADDITIVES
• Refined Linseed Oil or Gamblin Solvent Free Liquid
BRUSHES
• Bristle or Synthetic: 0, 2, 4, 6, 10 (flat, filbert, or round)
• Raphael Kolinsky Sable: sizes 0, 2 (pointed round)
MISCELLANEOUS ITEMS
• Palette (glass, wood, or paper sheets – Neutral color is BEST)
• Palette Knife – (medium diamond head recommended)
• Brush Cleaning Jar with Lid – Gamsol solvent only*
• Small container with Lid ( for storing paint medium)
• Paper towels / Cotton rags
• Vine / Willow Charcoal Sticks (for preparatory drawing on canvas)
• Kneaded Eraser
ACRYLIC BASED PAINTING—SUPPLY LIST
ACRYLIC COLORS
(Heavy Body – Golden or Liquitex paint recommended)
• Black - Ivory/Mars/Bone
• Raw Umber
• Ultramarine Blue
• Cerulean Blue
• Alizarin Crimson
• Yellow Ochre
• Cadmium Red Light / Pyrrole Red Light
• Cadmium Yellow Medium / Hansa Yellow Med.
• Titanium White (large tube)
(*optional - Cadmium Orange / Vat Orange, Titanate Yellow, Burnt Sienna, Quinacridone Magenta, Viridian Green, Dioxazine Purple, Pthalo Blue)
MEDIUM
• Golden Glazing Liquid (satin or gloss)
(*optional medium - Golden Heavy Gel Medium - matte or gloss)
SUPPORTS (Painting Surfaces)
• (1) Pre-stretched canvas or gesso-primed wood panel (8x10 – 9 X 12 in.)
• (1) Pre-stretched canvas or gesso-primed wood panel (11x14 – 16 X 20 in.)
ACRYLIC BRUSHES: synthetic bristles
• Princeton/Winsor Newton Galleria: Sizes 0, 2, 4, 6, 10 (flat or round)
• Raphael Kolinsky Sable: sizes 0, 2 (pointed round)
MISCELLANEOUS ITEMS
• Palette: paper, glass, or wood (neutral color is BEST)
• Palette Knife – (medium diamond head—recommended)
• Vine Charcoal: soft/medium sticks for preparatory drawing.
• Cheap Plastic Cup (for water)
• Cheap Spray Bottle (for water—recommended)
For questions related to the course or materials list, please contact the instructor:
Email: nicholas.enevoldsen@gmail.com
